Six handy GPS trackers

By Helena Williams

Track 24 SoloMate Lite app by Track24

Track 24 SoloMate Lite app by Track24

If you work in hostile environments it is vital that somebody knows where you are. Global Positioning System (GPS) tracking devices are handy pieces of kit for journalists in the field. They let people know your location almost instantly with the press of a button, don’t have to be expensive and can be downloaded, worn and carried on your person, in bags or in vehicles.

INSI has reviewed six GPS trackers, which may be of interest to freelancers and staffers operating in dangerous locations. This review does not constitute an endorsement of any of the products.

GPS trackers should be easy to use. Look out for intuitive interfaces and maps so people monitoring them can see where you are. Look out for the length of the battery life – a GPS tracker is no use if it runs out of power.

Remember that tracking devices carry significant risks to privacy, so be sure that you can activate and deactivate your device, while ensuring that it can’t be activated or deactivated unintentionally. They can and may be tracked by the security forces in many countries. Before use, ensure you are aware of the counter threats to you and your story.

Remember that GPS trackers only work with a clear view of the sky (so will not work in buildings).

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‘I want to share with the next generation of journalists what I wish I knew 20 years ago’

By Helena Williams

James Rodgers has covered conflicts in Chechnya, Gaza and Iraq for the BBC (Photo: Helena Williams)

Like many former foreign correspondents, James Rodgers, who has covered conflicts in Chechnya, Gaza and Iraq, has written a book based on his experiences. But instead of taking what is fast becoming the regular line of war journalism memoirs – tales of near misses and narrow escapes – Rodger’s latest offering is an academic, in-depth study of the role of journalism in wartime. It is a fitting topic for the post he has taken as lecturer at City University London, one of the world’s leading journalism schools.

Q. Journalism and academia don’t usually go hand in hand. Why did you write an academic book rather than a punchy memoir?

My main motivation is to share with the next generation of journalists what I wish I knew 20 years ago.

Journalists don’t read much about what academics write about, but I used my experience as research material. I wanted to write a book which would give a greater understanding of the process [of war reporting].

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London’s Frontline Club screens Hetherington and Junger’s ‘Restrepo’

By Helena Williams

Nestled behind Paddington station in West London, the Frontline Club is where journalists, academics and wannabe hacks congregate. It’s one of London’s most vibrant media hubs – you’re just as likely to come across a veteran reporter enjoying a drink in between assignments abroad as you are to bump into bright-eyed freelancers keen to gain some experience.

Tonight the Frontline Club is screening ‘Restrepo’, a documentary made by one of the club’s founding members, Tim Hetherington, who was tragically killed in Libya last year.

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“It will be messy”: An interview with Stephen Starr, author of ‘Revolt in Syria’

By Daphna Baram
GRNLive // content partners


This week we were lucky enough to chat with our Syria correspondent Stephen Starr, just as his book, Revolt in Syria: Eyewitness to the Uprising (Hurst 2012) is coming out. He sheds some light on one of the most intriguing of all the Middle East countries. The reviews are quite startling

Noam Chomsky said: “This searching inquiry is painful reading, but urgent for those who hope to understand what lies behind the shocking events in Syria, what the prospects might be, and what outsiders can and cannot do to mitigate the immense suffering as a country so rich in history and promise careers towards disaster”Fergal Keane of the BBC added: “Stephen Starr had a unique vantage point as Syria’s revolution unfolded. Written with insight and verve his book is essential reading for anybody interested in Syria”

Stephen has been travelling so much recently that we couldn’t pin him down for a live interview when he was in London, or get him in front of a computer anywhere with a reasonable connection. So eventually we resorted to a good old email exchange, which was, nonetheless, fascinating.

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A shot too far? Exhibition explores conflict coverage and trauma

By Helena Williams

A wounded man sits in shock above the blood-soaked floor at Jinnah Medical Centre. At least 140 people were killed in a suicide bombing aimed at assassinating former Prime Minister and opposition leader Benazir Bhutto. October 19, 2007. Karachi, Pakistan. (©Warrick Page/Getty Images)

“As a curator, you aren’t normally used to your artists dying on you.”

When photojournalist Tim Hetherington was killed while covering the war in Libya last year, curator Sarah Schuster felt the impact of his death. She had been working with him on an exhibition that will explore the psychological effects of war coverage on journalists.

“When he died I was upset. It was surprised how hard it hit, because I didn’t feel I had the right to be upset. It brought home a whole different perspective,” she said in an interview with INSI.

Schuster, 32, has curated exhibitions for 10 years. But her new project, “One Shot Over the Line: Conflict Journalists and Trauma” is a far cry from her previous endeavours, which included a Zaha Hadid retrospective at the Guggenheim in New York.

She wanted to explore the gritty lifestyle of war correspondents and bring to light the challenges they face every day.

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Former BBC bodyguard’s book highlights dangers of conflict coverage

By Helena Williams

An Iraqi journalist takes a photograph of local dignitaries during the grand opening for the district advisory council hall for the Rusafa political district in eastern Baghdad (Flickr/James Selesnick)

After years of working behind the scenes to help deliver some of the greatest international stories covered by the BBC, a former security adviser for the corporation has decided to step forward tell his own.

As a bodyguard for high profile BBC correspondents John Simpson and Jeremy Bowen and a plethora of international new crews for more than a decade, Craig Summers has travelled to and through some of the world’s most troubled and dangerous places.

His work as a BBC security adviser took him to war zones and scenes of natural disaster, to undercover operations involving child trafficking, football hooliganism and narcotics.

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Exhibition commemorating Mexican journalists launches the day two are brutally murdered

By Helena Williams

Mexico is one of the most dangerous countries in the world to be a journalist (Flikr/Knight Foundation)

Mexico is one of the most dangerous countries in the world to be a journalist (Flikr/Knight Foundation)

A London photo exhibition commemorating Mexican journalists who have lost their lives in the pursuit of truth launched the day two photojournalists were found brutally murdered in Mexico.

‘The Silenced: Fighting for a free press in Mexico’ displays the portraits of 55 journalists killed while trying to carry out their work since 2000 and opened yesterday, on World Press Freedom Day.

The same day, the dismembered bodies of photojournalists Gabriel Huge and Guillermo Luna were found dumped in a canal in Velacruz.

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Luck, safety and the Arab Spring

By Helena Williams

Two searingly different portrayals of the Libyan uprisings show the incredible impact the “true revolution” has had on two reporters’ lives.

Sky special correspondent and her news team were the first to enter Green Square on the night the Gaddafi regime crumbled (Sky/Alex Crawford)

Sky special correspondent and her news team were the first to enter Green Square on the night the Gaddafi regime crumbled (Sky/Alex Crawford)

The past year has been relentless for journalists covering the uprisings that have swept across the Middle East and North Africa.

Dozens of news media personnel have been killed covering the events since the start of the Arab Spring just over a year ago.

Many more have been injured, detained and assaulted.

The issue of safety has rarely been more pertinent, and more present in newsrooms and living rooms, as the Arab Spring has cost the lives of a number of renowned journalists, including Tim Hetherington and Chris Hondros in Libya last year and, more recently in Syria, those of Anthony Shadid, Marie Colvin and Remi Ochlik. At a time when the risks of conflict reporting are searing and stark, Channel 4′s International News Editor Lindsey Hilsum and Sky News special correspondent Alex Crawford, both distinguished television correspondents, say that covering Libya has had a massive impact on their lives.

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